How to photograph the hand? Is there really a technique for taking pictures of hands? And why would I take pictures of “hands?” Great questions and let’s get on this one.
How to pose hands to make them look nice, obviously goes back to “posing the human body”. When you pose a person, the hands are one of the most important things to pose correctly. If you have the hands flat against the body, or just seeing the whole back or front of the hand is not very “pretty”. And that includes both male and female. That is why I liked the photo above, because you see the sides of both hands, they have a small formation, not like broken fingers, and it is a pose I love of hands.
Use Hand Poses to Flatter the Rest of the Body
Hand poses can make or break what’s otherwise a great portrait. Getting those hand poses right can be tricky to do and tough to communicate. Use Hand Poses to Flatter the Rest of the Body
Sure, this article is to learn where to put the hands. But where the subject places the hands can change the entire body shape.
In general, use the hand pose to create space between the torso and the arms. The subject will look wider if you don’t. Try placing the hands on the hips, for example.
That’s not a hard and fast rule, though. Crossing the hands in an X at the front can exaggerate curves (often used with women).
Crossing the hands with the elbows out can make the shoulders look broad. This hand pose is often used by men because it also highlights the arm muscles.
Don’t hide or crop any part of the hand.
Hands can add beauty and personality to the images. Why leave them out of the photos? While obscuring part of the hands is fine, avoid hiding everything from the wrist down.
If you ask a model to put his hands in his pockets, you want him to look relaxed, not nervous. Don’t put the hand all the way into the pocket or the hand will disappear. This could even make the model’s hips look a little larger than they are. (Even Hollywood agrees.)
The same applies to determine where to crop the photo. Don’t crop at the joints, wrists and finger joints included. Cropping at a limb feels incomplete. If you’re going to shoot a pose that’s not full-body, crop mid-way between joints for a more natural look.
Don’t Place the Hands too Close to the Camera
Cameras should come with a warning almost identical to the one in the corner of the mirrors on your car. Objects are larger than they appear. If something is closer to the camera, it’s going to look larger than anything that’s farther from the camera.
Avoid placing the hands closer to the camera than the rest of the body. Or the hands will look larger in the photos than they are in reality.
In a seated position, don’t place the hands beyond the knee. And in a standing position, don’t move the hand more than a few inches closer than the face.
Of course, there are exceptions to every rule. I sometimes ask engaged couples to hold the ring out towards the camera while they kiss in the background. But that’s okay because the ring highlights their engagement.
The first photo below isn’t wrong. But in the second image, the eye goes straight to the faces. The hand is no longer competing with the faces.
Use an Angle to Make Hands Look Smaller
The placement of the hands can make them look larger. The hand poses can also influence the perceived size.
A hand straight on to the camera will look larger in the photos. But if you can only see the side of the hand, the hand will look smaller.
Hands should be at least at a slight angle away from the camera. Or you should photograph hands from the side.
This is most important when the pose keeps the entire hand visible. It’s less essential when it’s only a portion of the hand in the shot.
Why? Larger hands will compete with the face. Of course, if there’s no face in the image, getting the hands angled is less important.
Avoid Hands Crossed in Front
For some reason, many people stand with their arms crossed in front in wedding images.
It makes a great joke (for the right crowd) that they look like someone walked in on them in the shower. But it draws attention to the wrong area. You want to avoid focusing the viewer’s eye on someone’s lap.
Here is my biggest guideline to almost every photo with hands:
If you are seeing the back of the hands in your photos, then try to find something different to do with the hands.
Watch Out for Tense Hand Poses
How do you spot tense hands? They’re flat and tight or curled up into fists. Make sure you avoid both poses.
In case of tense flat hands, ask the model to relax their hands and curve the hand a bit.
In the case of fists, ask the subject to place his or her hands softly instead.
Like any photography rule, there are always exceptions. This includes photos when your aim is to create tension.
This portrait above is an exception to the rule. But, I am still not a big fan of putting your hands in pockets, like you see above here. My question is, when I see a photo like this: “Is something wrong with fingers? Did he have a hand accident?” I always look at what I can do differently with hands, on either male or female.
Here’s a few more great examples of hands posed right.
Most photographers aren’t in the practice of just taking photos of hands, but, if for some reason you have that assignment, use the same principles to get pleasing photos. Here is just a couple of examples of just great hand photos: