PHOTOGRAPHY IN THE GARDEN:

assorted color flowers
Photo by Leigh Patrick on Pexels.com

I am an avid gardener, as well as photographer. Photography and gardening go together. My wife loves to do the flower garden, and I usually worry about all the bushes, trees, and vegetable gardening. Between the two of us, we have an amazing yard. We feed birds from a feeder hanging from our pear tree, so we have the beauty of the birds to add to that as well. This is truly one piece of heaven here on earth.

Photographing the different gardens

As a photographer, I am mostly looking for color and the beauties of the flowers. Here are just a couple of flowers from our garden:

TIPS ON FLOWER PHOTOGRAPHY:

  • Make sure you understand your depth of field control, to get the right amount of flower in focus, and the background out of focus (if you wish). Controlling your aperture is one thing that helps all photos, not just close-up photos, with the perfect picture I think. For further information on “depth of field” go HERE
  • Most flowers are small, and you want to fill the frame with the flower. Appropriate close-up equipment will work the best. #1 lens to be recommended is the macro lens. Check your cameras’ lens catalogue for the best lens for you. Another great source is “close-up” filters. CHECK HERE For more information. Another great accessory, if you don’t have, is EXTENSION TUBES, which is a blog I did just a few days ago.
  • Next thing to watch out for is the wind! Yikes! Now you want to get this picture, and the wind is blowing the flower around. That is not a good thing if you want a sharp picture. I know the flower will be there tomorrow, so I will wait a day or two. Or, you might try a fast shutter speed, and that could be easy enough when you have your aperture set at F4. Try that and if you still have issues with the wind, WAIT ANOTHER DAY!

TIPS ON VEGETABLE PHOTOGRAPHY:

close up photography of orange carrots
Photo by Suzy Hazelwood on Pexels.com

I seem to notice that most photos of vegetables are done after the harvest. This might be good to do some experimenting on vegetable photography. Stay tuned for those photos in a few months.

As you take photos of vegetables, that you have harvested, try different ways to take the photo. Such as:

  • In someone’s hands
  • In a bucket, freshly picked or harvested
  • Arranged on the table
  • Shown boiling or cooking

Photos of your beautiful yard:

Ok, if you are a gardener like me, part of gardening is to see the whole beautiful yard, with flowers, trees, bushes, and vegetables if that looks good too. Here are some examples:

photography of table and chairs near plants
Photo by Valeria Boltneva on Pexels.com
assorted plants with trees photography
Photo by Creative Vix on Pexels.com
adult attractive beautiful brunette
Photo by Pixabay on Pexels.com

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COPYRIGHT AND PHOTOGRAPHY!

As a photographer, how does the copyright symbol protect you?

Why do we need copyright as photographers and what is its purpose? In a nutshell, copyright is there to stop anyone using your images for anything they want.

DOES THIS APPLY TO ONLY PROFESSIONAL PHOTOGRAPHERS?

The answer to this is NO. This works for any amateur photographer who takes pictures. and whilst it does protect professional creatives, it also applies to anyone producing any type of creative work on any level, including photography. Even a simple snapshot on your smartphone is copyrighted. 

However, thanks to the Berne Convention for the Protection of Literary and Artistic Works, which was created in 1886 and has 179 country members including the UK, your work is pretty much protected the same wherever you are in the world.

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WHO OWNS THE IMAGE?

It’s simple – if you take an image, then you own the copyright to that image. Under UK copyright law, any person who ‘creates’ an image after 1st August 1989 is the owner of the image for their lifetime plus another 70 years. You don’t have to register your photographs to have them copyrighted as the law comes into existence as soon as the image is created.

WHAT IF SOMEONE ELSE TAKES A PHOTO ON YOUR CAMERA?

But what would happen if someone else took an image on your camera – would you own the copyright? No. The person who took the image has the copyright. There was a case a while back concerning a ‘selfie’ taken by a monkey on photographer David Slater’s camera. Slater claimed he owned the copyright to the image, whereas Wikimedia Commons and the blog Techdirt claimed as the macaque took the image then the photographer didn’t have the copyright.

Photo by Michalakis Ppalis with Pixel photos

Animal rights group Peta also became involved, saying the macaque should own the copyright. Slater and Peta eventually settled, with Slater agreeing to give a quarter of the funds he receives from selling the selfie to registered charities dedicated to protecting the welfare or habitat of the macaque. The image is still on Wikimedia Commons, against the wishes of the photographer, who can no longer afford to pursue his challenge.

There may be circumstances where you might take the image but not own the copyright to the image, for example, if you are employed by a company. Most photographers employed by an organization have to sign a contract before they start work to agree to release the copyright to their employer. Legally, a contract needs to be in place if the copyright is assigned over to another person or party. Although there are many downloadable documents online, we advise that if you
want your contracts to be used as proof in a court of law, you get a professional such as a solicitor or lawyer to draw them up.

If you are a follower of this website, you know I take great pride to include the photographer’s name with every photo. But, why can I use someone else’s photos on my website? That is because the photographer(s) have agreed to let anyone use their photo. I am sure they are hoping that their photo is used and gets out there, with their name on it, so it wasn’t in vain. I use two companies that offer FREE PHOTOS without the need to obtain copyright permission. And that is Pexels.com, and Unsplash. Both companies are using photographs from great photographers. And I have always made it a point to attach a name to that photo.

tree with maple leaves
Photo by Valiphotos on Pexels.com

I love this above photo, and you have seen this several times throughout my many blogs.

Do you need to add the © symbol to your photos?

No, you don’t need to add anything to your images for them to be copyrighted to you – they are automatically your intellectual property. Intellectual property rights (IPR) are the rights granted to creators and owners of works that are the result of human intellectual creativity.

Although you don’t have to copyright your images if you are posting or uploading them online, it can be a good idea to add a watermark and the copyright symbol as extra protection. Doing so gives a clear indication to your audience that the image is owned by you. Also if an individual or company wants to track you down to use your image for commercial purposes, they can find you more easily. Adding copyright information to the metadata of your image is also a good idea.

What should I do if someone steals my work?

This is always a tough situation. Here is what usually happens:

If a company or individual takes your work, this is called infringement and you have the legal right to stop them from doing so. How you pursue them is up to you, but it’s often best to avoid going to court as this can be costly. Instead, approach the individual or company directly to inform them of their breach. Once contact has been established, a resolution can usually be made. The Intellectual Property Office (IPO) offers a mediation service at a cost to parties involved in an IP-related dispute (see links and reference boxout for details).

If no resolution can be made, you have the right to take the matter to court. However, as outlined above, this can be costly and seeking legal advice is advised. As stated on the government website, a court of law can stop that person from making further infringing use of the material by granting an injunction, award the copyright owner damages, and make the infringing party give up the goods to the copyright owner.

Will a signature on my photo work well as a copyrighted photo?

Here is one of my own photos with a signature on the front. That is a great copyright symbol.

I almost always feel that if you can put a signature on your photo, that would be harder for a person to take it off. However, they could just crop that area out, the same they could with a copyright symbol. But, a signature seems to make it definitely look like that photo totally belongs to this photographer.

I had a company by the name of PHOTOPOLISH to create my signature and an easy app on my computer to add my signature to all my photos. There are probably others, but, they worked well for me.

TAMRON LENSES

Photo by Lanny Cottrell – editor

I was recently invited to a Tamron open house at one of the local Photo Stores: Allen’s Camera in Layton, Utah. I think that it is always fun to go to these shows to see and handle the merchandise. The rep was very informative and loves his job. He gave great details into the Tamron World. Let’s take a look at Tamron in detail now.

HISTORY OF TAMRON:

Kabushiki-gaisha Tamuron) is a Japanese company manufacturing photographic lenses, optical components and commercial/industrial-use optics. Tamron Headquarters is located in Saitama City in the Saitama prefecture of Japan.

The name of the company came from the surname of Uhyoue Tamura who was instrumental in developing Tamron’s optical technologies. It was only on the company’s 20th anniversary that the name was changed to Tamron (from Taisei Optical).

In the fiscal year ending 31 December 2017, net sales totaled 60.496 billion yen and operating income was 4.24 billion yen, up 79.8% from 2016. At that time, the consolidated company had 4,640 employees and five production plants: in Hirosaki, Namioka and Owani in Japan, and one in China and Viet Nam, respectively.

INFORMATION TECHNOLOGY TODAY:

In the lens processing, in order to manufacture a lens with the required performance, various conditions need to be adjusted by selecting the machine used for manufacturing and adjusting the polishing time according to the magnitude of curvature and the characteristics of the material.
For example, high-pixilation and high-definition are yearly advanced in CMOS image sensor used in cameras and a lens surface-roughness, unevenness or waviness negatively effects the lens imaging performance.
To enable a highly accurate lens, Tamron reflect a simulation result to a processing accuracy from the optical designing stage.
Tamron’s lens processing technology is covering a wide range, multiple lens bonding with curved surfaces, processing with plane lens and prism lens, and prism lens bonding with each other. From now on, as a new usage, optical lens is expected to be used with laser and to be required a complicated irregular shape or prism shape integrating various technologies.
To produce multifarious lenses required in the future, Tamron is newly developing and improving the processing technology and handing down its established expertise by cooperating the lens processing know-how and the optical development technology.

To say that Tamron has a lot of different lenses is an understatement, but what they are truly proud of is their amazing zoom lenses. When I was at the Tamron show at the local photo dealer the other day, I was amazed with this lens, and I think it’s the one they are most proud of too:

Go to extremes with the world’s first* 22.2x ultra-telephoto all-in-one zoom.

Introducing the world’s first ultra-telephoto all-in-one zoom lens for the APS-C format. With a focal length range of 18-400mm and 22.2x zoom, it has an ultra-telephoto range equivalent to 620mm in the 35mm format. This brings distant subjects closer, while providing perspective-flattening effects that are only possible with an extreme telephoto lens. Plus it offers exceptional optical performance across the entire zoom range—from wide angle to ultra-telephoto. With this new lens—and its Moisture-Resistant Construction—Tamron brings the art of photography to the joy of travel. Now you can use the same lens to shoot everything from stunning landscapes and neon-lit cities to detailed portraits and delicate flora. The ultra-telephoto range makes it just as easy to photograph animals and sports. And with a maximum magnification ratio of 1:2.9, you can even enjoy tele-macro photography.

That was the part that I thought was so incredible is this lens macro ratio is 1:2.9! And you get that macro ratio even at 400mm! That opens out amazing possibilities for every photographer.

ANOTHER MOST AMAZING LENS I FELL IN LOVE WITH: TAMRON’S 11-20MM ZOOM LENS:

If you have the urge to shoot landscapes, then this lens is for you. Take a look at this video:

TAMRON MAKES A LOT OF LENSES

If you go to Tamron’s website, and browse around you will discover that they make a lot of lenses. It’s these few lenses I have highlighted today are the ones I think Tamron has excelled at.

ONE MORE LENS TO HIGHLIGHT: 150-500MM LENS:

And one more video to go with this incredible lens:

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LENSES BY SIGMA!

Photo courtesy of blog.sigmaphoto.com – shot with the 85mm 1.4 ART lens

In the world of 3rd party lenses, I think everyone has heard of SIGMA LENSES. This is a company that has been around for a long time, making incredible lenses for all kinds of cameras.

HISTORY OF SIGMA (as per Wikipedia):

SIGMA CORPORATION

is a Japanese company, manufacturing cameras, lenses and flashes and other photographic accessories. All Sigma products are produced in the company’s own Aizu factory in Bandai, Fukushima, Japan. Although Sigma produces several camera models, the company is best known for producing high-quality lenses and other accessories that are compatible with the cameras produced by other companies.

The company was founded in 1961 by Michihiro Yamaki, who was Sigma’s CEO until his death at age 78 in 2012.

Sigma products work with cameras from Canon, Nikon, Pentax, Olympus, and Panasonic as well as their own cameras.

Sigma has also made lenses under the Quantaray name, which have been sold exclusively by Ritz Camera. Similarly, Sigma lenses were sold exclusively by the former Wolf Camera, but following the merger of Wolf and Ritz, both brands can be purchased.

LENSES MADE TODAY (2022):

When I went to their website, I wanted to see their list or catalogue of lenses available. And I was really shocked. To me, it seems that the lenses they made covered every type of lens you would ever need, including “standard” lenses. I was most surprised that they made “standard” lenses for the different camera manufactures.

aurora borealis and sun visible in sky of northern norway
Photo by Tobias Bjørkli on Pexels.com

Take a look at the amount of different lenses they make for your camera:

WIDE ANGLE LENSES

silhouettes of cowboy and herd of horses galloping in dust at sunset
Photo by yavuz pancareken on Pexels.com

(18 Lenses)

Wide-angle camera lenses capture the larger side of life with a broader angle of view. Photographers rely on these essential lenses, including the 14mm, 20mm, 24mm, 28mm, 12-24mm and 14-24mm.

STANDARD LENSES:

photo of woman looking through camera
Photo by Artem Podrez on Pexels.com

(12 Lenses)

Explore the Sigma lineup of standard camera lenses with a field of view similar to the human eye. This popular category includes lenses such as the 50mm 1.4, 35mm 1.4, and 24-70mm 2.8. Standard by definition, exceptional by performance.

TELEPHOTO LENSES:

brown owl on tree branch
Photo by Erik Karits on Pexels.com

(19 Lenses)

Bring the world closer with a telephoto camera lens. A tool countless photographers rely on for added reach, this category includes such lenses as the 70-200mm 2.8, 100-400mm and 150-600mm.

MULTI-PURPOSE LENSES:

action athletes base baseball
Photo by Pixabay on Pexels.com

(5 Lenses)

Wide-angle to telephoto zoom and everything in between, multi-purpose lenses are designed to be light, versatile and highly efficient. Sigma manufacturers several multi-puirpose lenses, including the 18-300mm, 18-250mm and 18-200mm.

MACRO LENSES:

close up photo of ladybug on leaf during daytime
Photo by Pixabay on Pexels.com

(6 Lenses)

Macro camera lenses allow a photographer to bring to life the small but lively world around them. Explore every detail with such lenses as the 70mm and 105mm.

FISHEYE LENSES:

people in brown traditional wear under blue sky
Photo by Denniz Futalan on Pexels.com

(2 Lenses)

Fisheye lenses bring a whole new perspective to your vision. From Diagonal to Circular, Sigma offers a variety of premium lenses for APS-C and Full Frame cameras.

OS LENSES:

person riding bike making trek on thin air
Photo by Pixabay on Pexels.com

(16 Lenses)

Sigma Optical Stabilization (OS) helps compensate for camera shake by reducing vibration in the DSLR camera system while taking a photograph. Some lenses with Sigma image stabilization include the 24-105mm F4,150-600mm and 70-200mm 2.8.

SIGMA “ART” LENSES

One thing that has always intrigued me with Sigma, is they make a line of lenses they call “Art Lenses”! Without even checking the details of this lens, I assumed that this series of lenses was made sharper, more colorful (yes, lenses can enhance the color with their special coatings), more detailed than their regular lenses. Their lenses in their standard lineup are nothing short of AMAZING, so how do the ART lenses compare, and are they worth that extra money?

JUST WHAT ARE SIGMA ART LENSES?

So many names and words are thrown at you in the photography world- L lenses, Prime lenses, and… ART? ART as a term in photography equipment has become so big that most don’t even know the brand that produced the legendary ART: Sigma. Sigma’s ART lens line is a high-end, exquisite quality optic product that is very sought after by professional photographers. 

So what makes the ART lens have such a life of its own in the industry? Well, a mix between brilliant performance, excellent engineering, and an attractive price tag all lend a hand at the lens line’s brilliant reputation. 

Characteristics of the ART Lens Line

For starters, every lens company has a high-end line and more consumer-friendly line. The ART series is the high end, luxury line for camera and lens brand Sigma Corporation of America. Originally started in Japan, Sigma has gained exceptional notoriety for the quality of their ART line. 

Sigma’s ART line is divided into the following expected categories: Wide-angle lenses, large-aperture fixed lenses, telephoto lenses, standard lenses, macro lenses, ultra-wide angle lenses, and fish-eye lenses. Something for everyone. 

The ART line is engineered specifically for sharpness and optic performance. They are lenses created for images that give the sharpest details a photographer can possibly aim for. Even with the widest openings, Sigma ART lenses exhibit exceptional focal plane sharpness. This is because the focusing mechanism is quite unique to the brand itself, and cannot be found in other models. 

The ART line also tends to have wider apertures, from f/1.2 to f/2.8. The bokeh blades create a more natural and creamy shallow depth of field than most lenses, and are nicely designed to avoid chromatic aberration at wide apertures. For those unfamiliar, chromatic aberration is a common optical problem that causes a purple or green outline to appear around your subject.

ART lenses also characteristically produce more vibrant and poppy colors. Although a lot of color has to do with the camera body itself, the lens does play a role nowadays (especially in mirrorless systems). 

Finally, ART lenses are created in all notable mounts, such as Canon, Nikon, Sony, and even Leica. Sigma ART lenses are even able to have their mounts converted through the conversion service offered by the company. 

To get this kind of “extra” quality in a lens, you can plan on spending more than the standard lens in the same style. They are also a bit bigger lenses, but, to get that kind of quality, who cares?

A new blog site to check out:

What I thought was also really cool, is that Sigma has their own blogs right on their own website. You want to check out some pretty cool blogs, go to: SIGMA BLOG

Ready to try Sigma Lenses? They are one of several worth checking out. I am going to give you some more options to choose from, because this Wednesday, in 2 days, I will be reviewing

TAMRON LENSES!

Make sure you sign up for our monthly newsletter. Exciting announcements about this website that I am sure you will like!

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GO AHEAD! TAKE PHOTOS IN BAD WEATHER!

person riding a bicycle during rainy day
Photo by Genaro Servín on Pexels.com

I know that good photographers are organized people. They plan a day to go take pictures, and if it storms, so what! I want to take this time to talk about what you need to do to prepare to take your photo journey, even if it rains.

Always carry a weatherproof camera in your bag

From the previous blog, CLICK HERE TO SEE PREVIOUS BLOG we learned how your photos turn out better in stormy weather. Think about this when it’s raining:

  • The rain cleared out all the dust in the air, making it look richer in color, and the colors just seem more enhanced.
  • Not too many photographers will brave the bad weather, so your chance of getting more unique photos will certainly increase.
  • You will capture photos that are unique, even if it’s the same old landscape photos
photography of mountains under cloudy sky
Photo by Simon Berger on Pexels.com

Notice this photo above. Storm is rolling in. Normally you would get this beautiful landscape photo with nice blue skies. But these dark stormy looking clouds are amazing, and will certainly win the hearts of some photo fans.

If you have some of the newer cameras that have just been released from Pentax, Nikon, Sony, Olympus, Canon, you will notice that their new flagship cameras have all been upgraded to include incredible weather sealing. Now you can go out and take photos in the storm without worry.

BUT BEWARE: YOUR LENSES MAY NOT BE WEATHER RATED. Go through the lens catalog for your new camera and find the weather rated lenses available for your camera.

airport bolt bright danger
Photo by Pixabay on Pexels.com

MY PREFERRED WAY OF EQUIPMENT:

Most of the time people don’t want to go with plastic bags, and special equipment to make their current camera weatherproof. I have had extremely good success with this camera:

CHECK OUT THE DETAILS OF THIS CAMERA:

Uncompromising water, shock, dust, and freeze protection. Approximately 20 effective megapixel for sharp, high-resolution, low-noise images with a wide dynamic range. Camera body of tough aluminum-panel chassis equipped with high-precision GPS, a powerful LED Ring Light, and electronic gimbal stabilization. Venture into the wild with an all-weather compact camera equal to any and all conditions.

More ideas of how to take photos in bad weather, CLICK HERE

One more link, CLICK HERE

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BAD WEATHER? PERFECT TIME FOR PHOTOGRAPHY!

We’ve all sat, staring out of our window and cursing at the rain poring down or the flat, grey sky that just happened to cloud over on few hours we’ve managed to set aside in our busy schedule to head out and shoot some photos. But all is not lost for the opportunistic and well prepared photographer.


“Story” captured by Nicholas A. Tonelli

BE PATIENT

After many rainfalls or storms, comes a spectacular burst of light. Often this light lasts only momentarily, but is worth waiting for. But you’re never going to catch it if you’re still staring out of that window. Part of making good photographs is being an opportunist. Weather reports are easily accessible through the internet, over the radio, and in newspapers, often with detailed information.

You might be able to find out if the cloud cover or storm is about to pass. If not, head out anyway. Yes, it might all be in vain and remain gray and unappealing until nightfall and be a complete waste of time, but what if it isn’t?

If you speak to, or read any book written by a successful landscape photographer, they will tell you stories about how they visited a place dozens of times and waited for hours before getting that one in a million shot. Have a look at that shot. Was it worth the time? Chances are it was. Imagine the satisfaction gained from someone looking at your photo and letting out a breathless “Wow!” Then you’ll be the one telling the stories. A simple way to think about it is that you get out what you put in.

BE PREPARED:

Have you done any research on your subject? Have you visited your location at this time of day before? Do you have a list, or at least a mental outline, of the photos you want? Have you considered the equipment you might need to take? Answering these questions will take you a long way to being able to seize the moment when it does eventually arrive.

Photo by Beau Rogers; ISO 100, f.8.0, 1.6-second exposure.

Instead of fumbling around trying to attach lenses, tripods, filters and any other gadgets that might be necessary, (and I do mean “might”), you will simply be able to step out of your car, or hiding place, gear in hand, and calmly collect the images you’ve been imagining.

A little foresight in taking care of these things beforehand allows you to focus completely on taking photos once in the field. As with anything else, if you can concentrate completely, you’ll likely do a better job.

WHAT’S YOUR PURPOSE?

Think about what you are actually trying to achieve with these pictures. Do you even need blue skies? Many a moody, muted landscape has been created using the worst weather conditions. If you have an interest in shooting black and white images, you could be in for a real treat. Many subjects, such as outdoor portraits, can work better in overcast conditions, enabling you to pick up the lines in someone’s face and add character to the portrait without having to worry about your subject squinting their eyes from the sun or dark shadows appearing over half of their face.

photo of a wooden bridge
Photo by Mark Neal on Pexels.com

Most successful photography, like anything else, comes from having a clear goal and taking the steps necessary to achieve it. It also comes from working with the elements and planning for various possibilities. Open yourself up to new ideas and you will find that your photography improves markedly.

iN 2 DAYS: WHAT EQUIPMENT TO USE DURING BAD WEATHER! CAN YOU USE YOUR CURRENT CAMERA?

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NIKON TO OFFER 50 NEW “Z” LENSES BY 2025

Nikkor lenses are some of the best and have a huge variety of lenses

We are going to see a huge new surge in lenses within the next few years. All because so many of the brands of cameras changed their lens mount. Why? Because they changed from a DSLR camera, which uses lenses that are about the same size as the older 35mm film cameras, to the smaller mirrorless cameras which made it so the lenses mount, and the lenses went smaller. And that means what was good with one type of lens mount, they will now need to do the same thing to the smaller lens mounts, such as the new NIKON Z camera series.

NIKON Z LENSES NOW

As of this writing, Nikon makes about 27 lenses already for their Z camera series. So, that means they will release about 23 more lenses in the next few years. It is amazing how many lenses need to be created to accomplish all the different types of photography there is (Hmmm, that might be a good blog subject).

7 New lenses are about to be released soon:

With that being said, it is obvious that they have some already announced or rumored to be releases soon:

  • A 12-28mm DX zoom
  • A 200-600mm super-telephoto zoom
  • A 24mm DX lens
  • A 26mm lens
  • An 85mm S-line lens
  • A 400mm S-line lens
  • A 600mm S-line lens

Of course, that leaves many future lenses unaccounted for, though I’d certainly wager that we’ll get a 70-200mm f/4 lens, designed as a low-cost 70-200mm f/2.8 alternative. Look for a 500mm f/4 S-line lens, designed for bird and wildlife photographers, and several wider primes (including, perhaps, a 14mm f/2.8 and/or a 35mm f/1.4).

Once Nikon has covered all its more “conventional” bases, keep an eye out for the specialty lenses: fisheye lenses and zoom lenses, additional macro prime lenses, and tilt shift lenses. In the meantime, Nikon mirrorless shooters can still gain access to basic and specialty models via the FTZ adapters.

HOW DOES THIS COMPARE TO THEIR COMPETITORS: CANON AND SONY?

CANON; Canon currently has 25 lenses in their RF series of lenses. The RF lenses are the lenses Canon makes for their smaller mirrorless cameras. And they are planning on releasing about 30 more in the next 5 years. That should complete their lineup.

SONY: Well, Sony has had a head start on their lens lineup for about the last 7 years. So they already have about 70 lenses for their mirrorless cameras. Sony hasn’t shown any signs of slowing down, either, so for now – and for the foreseeable future – Sony will continue to lead the pack.

Sony is already ahead of the game with close to 70 lenses in their lineup.

HOW TO PICK AND CHOOSE A LENS:

I was looking through my arsenal of information I have available, but the best one is in my professional course, that describes how lenses can be used, what millimeter lenses are the best, etc. Go to my professional course titled “BASIC PHOTO COURSE”, and it is here at this link. Click here.

NOW WHAT WILL YOU DO TO

If you are serious about photography, you will want to get some extra lenses for your tools. It is amazing how your photography can be enhanced with a variety of lenses. You can choose a lens for the following reasons:

  • A wide angle lens for taking breathtaking landscapes
  • A macro lens for taking pictures close-up
  • A telephoto lens to get photos of wildlife
  • A fast lens to be able to shoot in low light
  • A fisheye lens to get almost a 180 degree view
  • A lens to take the perfect portrait
  • And so many other types of subjects.

Coming next blog: learn why there are so many different lenses, what makes a lens cost more than others, what are the different uses of lenses? Complete instruction on lenses and their uses.

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