Being an artist as a photographer is sure different than being an artist that paints, or an artist that cooks. As a photographer artist, the one thing that you notice is that people look at your equipment rather than the person. When you get to the point where most of your photography is artistic, then sometimes it is hard to still be noticed as an artist, but that people think that it is the camera equipment that creates the artist.
Unfortunately this is part of being a photographer. And sometimes as an artist myself, I am excited to have such great equipment to help me out being an artist. But I am still the creator of the photo, and my camera is my brush.
True photographic artists have the power to convey thoughts, ideas, feelings, and moods all based in one timeless and inspirational image. Captured in a millisecond by pushing down on that button. I have known photographers who are utterly obsessed with new equipment and all the wiz bang technology that comes out seemingly every day. What they fail to realize is that being technically adept is only one part of the puzzle. Bringing out the emotional side of your photographic art plays a large part in creating images that will wow your audience. The best images created are not always the most original, technically correct, or perfectly framed. Like any art form, the greatest images evoke some kind of emotional response in the viewer. The truly great evoke different emotions in different people at different times.
With my photography, I found that I was able to take photos from places I had been to before and the whole vibe of the images was completely different to that of the previous ones.
It was akin to my own little aha moment in time. If in the passion for creating the imagery, the art was missing, then inevitably the result would be a very ho-hum, although technically correct, image.
WHAT IT TAKES TO CLICK INTO “ART MODE”:
One very quick way I’ve found to get out of this ho-hum state is to stop. Put the camera equipment down and just observe, enjoy, and be part of the moment. In next to no time you will find that you start firing on all cylinders and the creative juices kick in. That’s when you’ll be itching to pick up the camera again!
The best photography often conveys emotions, but how do you create emotional photography? How do you add feelings to your photos so you can move the viewer and ensure they connect with the piece?
When we take photos, our goal is to try to have the viewer emotional over what they see from your photo. A beautiful sunset sparks what emotion? A puppy sparks what emotion. And now we bring up this subject of how to take photos of emotions.
Typically, we use the human face to show emotions. Like the photo above, obviously shows LOVE.
The emotional state of the photographer – that’s you! – has the largest impact on the emotional quality of your photos.
So whenever you head out with your camera, before you take a single shot, or even look for a shot, ask yourself: How am I feeling today? Then let that emotion guide your shooting, and channel it into your photos.
After all, it’s tough to infuse an image with an emotion that you aren’t feeling. If you’re over the moon with happiness, you’ll struggle to find sad or bleak compositions. And if you’re down in the dumps, creating awe-inspiring or uplifting images won’t be easy.
So start by identifying your emotions. Look for compositions that align with those feelings.
At the same time, it’s often worth rechecking your feelings periodically throughout your photoshoot. Depending on the view, the light, chance encounters, etc., emotions can change, and you don’t want to miss out on emotionally resonant shots because you’re searching for the wrong thing.
SIMPLIFY THE SHOT:
In wide, busy, expansive scenes, emotions often get lost. Yes, the emotion might be there, but the viewer will have a hard time noticing – the image may fall a bit flat, at least from an emotional point of view.
So if you’re looking to create emotional photography, consider simplifying the shot. Exclude elements from your frame. Choose a perspective that highlights a single area of interest, not the entire scene.
Use a telephoto lens if you do this, so you can focus in on just the subject and not have any distractions surrounding the subject.
FOCUS ON FACES
A word of caution, however: Do not rush up with your lens, thrust it into a person’s field of view, and snap a shot, especially if they’re feeling emotional. Instead, be respectful. Whenever possible, ask permission, especially if you don’t know the person. (I often just raise my eyebrows while pointing at my camera, and it works great.)
A final piece of advice: Don’t encourage your subjects toward specific emotions. If they’re feeling sad, take a sad photo; if they’re feeling happy, take a happy photo; if they’re feeling tired, take a tired photo…You get the idea. Yes, it’s good to head into a scene with specific feelings in mind, but you must be adaptable, depending on the content of the scene.
SET YOUR CAMERA DOWN AND OBSERVE:
Setting down your camera gives you time to observe the world. Just look around and see what pulls at your consciousness. Ask yourself: What interests me? What draws me? What do I want to capture? What matters to me about this scene?
These questions only take a minute or two, but they’ll help you identify new, emotionally resonant compositions, plus they might clarify your ideas about a scene and show you the way forward.
RETURN TO THE SAME SCENES OFTEN:
Scenes look different on different days, and your feelings are different on different days, too.
Take advantage of that fact.
If you’re shooting a subject that you can return to, then do it. The street or beach or room or person will have a different feel on different days, especially if you’re photographing outdoors and the weather changes often.
Make sure you return to a location with an open mind. Don’t expect certain feelings, or you might be disappointed. Instead, clarify your emotions, then pretend you’re seeing the scene for the first time.
(Pro tip: Try changing up your approach each time you tackle the scene. Bring a different camera, use a different lens, shoot with a tripod, shoot a long exposure, etc. Anything to capture new emotional content!)
And who knows? If you return to the same scene/subject enough, you might even create a series, which can turn into a portfolio or an article or even a book.
Conveying emotion is a surefire way to create powerful images that connect with the viewer. Feelings will elevate your work and give it more punch.
This article is compliments of PETER WEST CAREY and he published this with Digital photography school.
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