Nikkor lenses are some of the best and have a huge variety of lenses

We are going to see a huge new surge in lenses within the next few years. All because so many of the brands of cameras changed their lens mount. Why? Because they changed from a DSLR camera, which uses lenses that are about the same size as the older 35mm film cameras, to the smaller mirrorless cameras which made it so the lenses mount, and the lenses went smaller. And that means what was good with one type of lens mount, they will now need to do the same thing to the smaller lens mounts, such as the new NIKON Z camera series.


As of this writing, Nikon makes about 27 lenses already for their Z camera series. So, that means they will release about 23 more lenses in the next few years. It is amazing how many lenses need to be created to accomplish all the different types of photography there is (Hmmm, that might be a good blog subject).

7 New lenses are about to be released soon:

With that being said, it is obvious that they have some already announced or rumored to be releases soon:

  • A 12-28mm DX zoom
  • A 200-600mm super-telephoto zoom
  • A 24mm DX lens
  • A 26mm lens
  • An 85mm S-line lens
  • A 400mm S-line lens
  • A 600mm S-line lens

Of course, that leaves many future lenses unaccounted for, though I’d certainly wager that we’ll get a 70-200mm f/4 lens, designed as a low-cost 70-200mm f/2.8 alternative. Look for a 500mm f/4 S-line lens, designed for bird and wildlife photographers, and several wider primes (including, perhaps, a 14mm f/2.8 and/or a 35mm f/1.4).

Once Nikon has covered all its more “conventional” bases, keep an eye out for the specialty lenses: fisheye lenses and zoom lenses, additional macro prime lenses, and tilt shift lenses. In the meantime, Nikon mirrorless shooters can still gain access to basic and specialty models via the FTZ adapters.


CANON; Canon currently has 25 lenses in their RF series of lenses. The RF lenses are the lenses Canon makes for their smaller mirrorless cameras. And they are planning on releasing about 30 more in the next 5 years. That should complete their lineup.

SONY: Well, Sony has had a head start on their lens lineup for about the last 7 years. So they already have about 70 lenses for their mirrorless cameras. Sony hasn’t shown any signs of slowing down, either, so for now – and for the foreseeable future – Sony will continue to lead the pack.

Sony is already ahead of the game with close to 70 lenses in their lineup.


I was looking through my arsenal of information I have available, but the best one is in my professional course, that describes how lenses can be used, what millimeter lenses are the best, etc. Go to my professional course titled “BASIC PHOTO COURSE”, and it is here at this link. Click here.


If you are serious about photography, you will want to get some extra lenses for your tools. It is amazing how your photography can be enhanced with a variety of lenses. You can choose a lens for the following reasons:

  • A wide angle lens for taking breathtaking landscapes
  • A macro lens for taking pictures close-up
  • A telephoto lens to get photos of wildlife
  • A fast lens to be able to shoot in low light
  • A fisheye lens to get almost a 180 degree view
  • A lens to take the perfect portrait
  • And so many other types of subjects.

Coming next blog: learn why there are so many different lenses, what makes a lens cost more than others, what are the different uses of lenses? Complete instruction on lenses and their uses.

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Nikon Z9 gets a new firmware update and becomes a whole new camera!

If there’s ever been a firmware date to get overly excited about, it’s the latest one for the Nikon Z9. The flagship camera was already an absolute beast with astonishing 8K 30p video capabilities, but this most recent firmware update adds features that basically make it an entirely new camera.

When the NIKON Z9 was released, it caused some serious excitement thanks to its 45.7MP stacked CMOS sensor, its incredible 8K video and 120fps continuous burst shooting. Not only were the specs incredibly tempting, but the price was too – coming in significantly cheaper than the rival SONY A1 and CANON EOS R3 and Nikon promised that the first big firmware would make it even better.

Finally, that Firmware version 2.0 is here – and it’s been worth the wait. With it, the Nikon Z9 is now be able to record 12-bit, Raw 8.3K 60p video internally. The jump from 10-bit to 12-bit is pretty astonishing, and now the camera will be able to reproduce billions more colors – 68 billion more, to be precise. Nikon is calling its new file output N Raw and the video files are said to be a lot smaller than ProRes Raw, which is excellent news when it comes to transferring and storing footage.


We live in an amazing world of technology right now. Can you imagine we have come to the day when you buy a new camera, and then there comes new “firmware” and Voila! you have a new camera, without changing the body.

The second impressive video upgrade is that you will now be able to oversample UHD 4K 60P 10-bit footage from 8K footage, which will deliver the highest quality 4K footage. Users will also be able to record ProRes Raw internally up to 4.1K at 60p, so now it’s even easier to record professional, cinematic footage that is faster and easier to edit in post.


It’s not just the video specs that have benefited from the upgrade, either. Nikon has been careful not to forget about the camera’s photography capabilities. Users will now be able to set the EVF refresh rate to 120fps, which will make the viewfinder even more life-like. The Z9 also gains a Pre-Release Capture feature so that, when you’re half-pressing the shutter, the camera start shooting buffering the shots for a second before you take the photo.

For those times when you’re shooting odd shapes, objects or scenes, the height and the width of the AF box can now be adjusted, which means you can now focus on a very specific part of the frame – regardless of how big or small your subject is. 

The new Custom Wide-Area AF features 20 options for stills and 12 for video (Image credit: Nikon / Kenjiro Matsuo)


Nikon has also introduced a brand new computational photography mode called in-camera motion blend. Rather than having to create this effect in Photoshop, the camera will take up to five photos and blend them into one. No longer will you need to mask your subject, the camera will literally do it all for you. 

Other upgrades include an optimized burst photo viewing mode, video assist functionality in the form of a waveform monitor and red record box, dedicated video info, fine ISO control and fast AF control is now an assignable custom button option. The auto-exposure and auto white balance settings have been improved, and there is a new focus recall setting. 

This firmware upgrade is by far the most extensive and impressive we’ve ever seen from Nikon, if not from any camera brand ever. It’s amazing how much you can change with a firmware update – and even more amazing that all these updates are available for free.

The article above appeared first in DIGITAL CAMERA WORLD, AND AUTHORED BY: Hannah Rooke. A sincer thanks to DCW for this article.

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The new Nikon Coolpix camera with a 24-3000 zoom lens!

What if you could buy a camera that had all the lenses in it that you would ever want, plus it was all in one camera that has everything you want in a DSLR!


Bridge cameras often get a bad rap, but the Nikon Coolpix P1000 is still one of the damnedest cameras I’ve ever seen. And it’s all down to its signature party trick: its 125x zoom, which equates to a jaw-dropping 24-3000mm focal range.

I still remember the first time I used the Nikon Coolpix P1000, sat outside a café in Cologne during the last Photokina (which really was the last Photokina). My colleague Ben Andrews had been tasked with reviewing it, and had valiantly sacrificed valuable hand luggage space to bring this comedy sized camera with him to Germany.

“Look at the moon,” he mumbled across the table, prompting me to look up to the sky. “No,” he corrected me, “look at the moon on this.” It was like he’d mounted a camera to a telescope – even in broad daylight, the amount of detail was absolutely mesmerizing. 

Of course, they weren’t reference-quality images. After all, the P1000 employs a 1/2.3-in sensor with 16 megapixels of resolution – and with a sensitivity that tops out at ISO6400, we’re hardly talking Nikon Z9 in terms of performance. 

See the incredible zoom reach…

Nikon Coolpix P1000, zoomed out to maximum wide angle, equivalent to 24mm (Image credit: Ben Andrews/Digital Camera World)
New Nikon P1000 zoomed out to 80mm equivalent.
Now the zoom lens is zoomed out to a 500mm equivalent (refer back to the first photo to find this part of the photo)
Zoomed out all the way to 3000mm equivalent. And look at the sharpness on this image.

But that’s not what the P1000 is about. Look at these images above, look at the utterly ridiculous zoom range – THAT is what the P1000 is about. The zoom enables you to go from a panoramic view of the city, to a close-up detail of the abbey that is half a mile away (800m).

You know how you sometimes zoom in on your phone, even just 2x, and the quality goes to hell? Even the impressive zooms on the best camera phones like the Samsung S22 Ultra pale in comparison to both the reach and the quality of Nikon’s big black Pinocchio. 

In a world where we’re wowed by more conventional specs – megapixels, dynamic range, burst rate, image stabilization – we forget that the most useful thing on any camera is the ability to ‘get a bit closer’. 

Camera snobs may turn their noses up at cameras like the Nikon P1000, but it is targeted at very different user bases – parents who want to photograph their kids’ soccer games, bird spotters who want to identify animals, general purpose shooters who just want a camera with the longest reach possible. 

And that’s where the best bridge cameras like the P1000 come into their element. They may not win you many photo awards, but they’ll get you the photos that no other camera can. 

The Nikon P1000 has a massive 125X Optical power zoom.

Article originally written by: James Artaius for DIGITAL CAMERA WORLD

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This year has been the announcements of all major brands, it seems, producing and upgrading their “flagship” cameras. Sony started early, then Canon, then Panasonic, then Fuji Film, and now Nikon. Those die-hard Nikon owners will look at this as the dream camera to get. It’s strong, shoots in 8K video, and, Nikon develops it’s own processing chip for this camera. Too many back-orders on chips, if the Covid thing is going to effect the chip industry, now you will see the manufactures, make their own amazing chips. Looks like photographers around the world, are rejoicing.

Nikon has finally started releasing “teasers” to get people excited about their new camera. Here is one new video. Click the arrow in the middle, and enjoy:

With the fact that the Nikon Z9 showed up at the Tokyo Olympics, we now know a lot about the camera:

1- 8K video

One of the few details that the Big N did announce is that the Nikon Z9 will boast 8K video capability, putting it in the same league as the Canon EOS R5 and Sony A1

2) Full-frame stacked sensor

Also among the scant announcement info was the fact that the Z9 will, unsurprisingly, have a full-frame FX CMOS image sensor. What is surprising, however, is that this will be a newly developed stacked sensor. 

So, what is a stacked image sensor? It is a fabrication process whereby layers of both sensor and circuitry are be ‘stacked’ on top of one another, enabling manufacturers to make things like RAM an integrated part of the sensor itself. 

Accordingly, stacked sensors can perform blisteringly fast readout speeds – resulting in the unfathomably fast 30fps continuous burst shooting of the Sony A1 and Canon EOS R3

3) >39MP resolution

So, knowing that the Nikon Z9 is capable of 8K, and that it has a full-frame sensor, we know broadly what resolution it will have – because to output 8K, a requisite number of pixels are required. Indeed, in crude terms, we can look to the 45MP R5 and 50.1MP A1 and say that it’s going to be in the same ball park – and a previous report suggested that the Z9 may have around the same resolution as the 45.7MP Nikon Z7 II

We don’t just have to guesstimate, though! For full readout 8K on a standard 3:2 sensor, a 16:9 video would require 7,680 x 5,120 pixels – which would require at least a 39MP sensor. However, if the video is DCi then it would require 8,192 pixels – which means at least a 44MP sensor. 

So we can safely say that the Z9 will have at least a 39MP image sensor, and likely a lot higher.

Photo by Nikon

4) New Expeed 7 image processor

Nikon develops their own chip. No Covid slowdown.

Nikon has confirmed that the Z9 will possess a brand new image processing engine – which, seeing as the current engine is the Expeed 6 (featured in cameras like the Nikon Z6 II, Nikon Z7 II and D6), will almost certainly be called Expeed 7. 

What do processors in cameras actually do? Well, they’re effectively the ‘brain’ of the camera body. They handle all the complex computations: performing autofocus and subject detection, parsing stills and video data from the image sensor, providing calculations for image stabilization, corrections for lens aberrations, cleaning up noise from high ISO imaging… 

In short, while it’s not a very sexy part of a spec sheet, the image processor is one of the most fundamental parts of a camera’s DNA. 

5) D6-beating flagship

The Nikon Z9 will be the manufacturer’s new flagship camera, replacing the Nikon D6 as the current king of the hill. And as confirmed by Nikon’s Keiji Oishi – department manager of Nikon’s Imaging Business Unit, UX Planning Department – it “is being developed with the goal of surpassing the D6.” 

Clearly, with at least a 39MP sensor that’s capable of 8K video, it’s going to beat the D6 (with its 20.8MP and 4K) in terms of sheer resolution. However, what about speed? This is, after all, the most important aspect for a flagship camera that’s aimed at professional sports photographers. 

The D6 boasts a top speed of 14fps burst shooting, which is barely worth a second glance when the Sony A1 hits 30fps and the Canon EOS R5, Canon EOS R6 and Canon EOS-1D X Mark III all hit 20fps. 

Given that the Nikon Z9 features a stacked sensor, it’s reasonable to assume that it will hit at least the 20fps benchmark set by Canon – if not the lofty 30fps of the A1.

6) ‘Pro DSLR’ body

Traditionally, flagship cameras have featured an integrated vertical grip with mirrored controls for seamless switching between portrait and landscape shooting. 

Currently, the only other full-frame flagship mirrorless camera is the Sony A9 II, which eschews this ‘professional DSLR’ form factor in favor of a standard-sized body (with the option to add a vertical grip). However, the Z9 will follow in the footsteps of the D6 and 1D X Mark III with a larger body featuring the integrated grip and dual-control inputs. 

7) Larger battery

One of the most important aspects of a flagship, professional camera isn’t the resolution or even the speed – it’s the battery life. Wildlife photographers can sit out in the field for days on end, and sports photographers gobble up power in a hurry when shooting at maximum burst modes, so battery life is important – and this is even more true when it comes to mirrorless cameras, which are much greedier than their DSLR counterparts.

8) Physical observations

The fact that the Nikon Z9 possesses the pro DSLR form factor means that it will also accommodate a huge, professional camera battery – something that mirrorless cameras until now have been sorely lacking. 

Nikon has only released official images of the front of the body (though it does disclaim that “the appearance of the camera may differ from the photo shown”), but in July the Z9 was spotted being used at the Olympic Games in Tokyo – giving us a good look at the back of the body as well. And now we have seen a better view of the back in the two teaser videos that Nikon has recently released.

The Mode dial is replaced by a bank of buttons – the bracketing button is visible, there will likely be a Mode button to cycle between PASM, metering and WB functions. There’s seems to be a locking knob next to it, suggesting that the bottom portion rotates – which could be for quick selection between single / continuous / self-timer / M-Up shooting modes. And the rubber hatches on the top will be for flash, and possibly Nikon’s 10-pin interface.

Nikon clearly knew that the photo industry paparazzi would spot the Z9 at the Olympics, because all the leaked photos of it have what looks like a strip of duct tape on the hinge of the rear LCD – disguising whether or not it’s a tilting or fully articulating screen (though the two finger tabs at the bottom-left and right suggest that it may only tilt). However, that aside, there’s plenty of other takeaways from these glimpses.

The Z9 differs from the pro DSLR equivalent D6 in numerous ways, not least the omission of the smaller, secondary rear LCD screen. The button placement has also been significantly rearranged, and has more in common with the layout of the Nikon Z6 and Nikon Z7.

9) 2021 release

Nikon announced that the Nikon Z9 is scheduled for release this year. Previous rumors have suggested that it will be in the hands of professionals shooting at the Tokyo Olympic Games in July, so that seems like an obvious time for a full announcement if not immediate availability. Either way, the Z9 is coming in 2021… and now the teaser videos have started we feel certain that the full announcement must be coming soon.

This article is courtesy of Digital Camera World. Where they keep track of it all.