Photo courtesy of blog.sigmaphoto.com – shot with the 85mm 1.4 ART lens

In the world of 3rd party lenses, I think everyone has heard of SIGMA LENSES. This is a company that has been around for a long time, making incredible lenses for all kinds of cameras.

HISTORY OF SIGMA (as per Wikipedia):


is a Japanese company, manufacturing cameras, lenses and flashes and other photographic accessories. All Sigma products are produced in the company’s own Aizu factory in Bandai, Fukushima, Japan. Although Sigma produces several camera models, the company is best known for producing high-quality lenses and other accessories that are compatible with the cameras produced by other companies.

The company was founded in 1961 by Michihiro Yamaki, who was Sigma’s CEO until his death at age 78 in 2012.

Sigma products work with cameras from Canon, Nikon, Pentax, Olympus, and Panasonic as well as their own cameras.

Sigma has also made lenses under the Quantaray name, which have been sold exclusively by Ritz Camera. Similarly, Sigma lenses were sold exclusively by the former Wolf Camera, but following the merger of Wolf and Ritz, both brands can be purchased.


When I went to their website, I wanted to see their list or catalogue of lenses available. And I was really shocked. To me, it seems that the lenses they made covered every type of lens you would ever need, including “standard” lenses. I was most surprised that they made “standard” lenses for the different camera manufactures.

aurora borealis and sun visible in sky of northern norway
Photo by Tobias Bjørkli on Pexels.com

Take a look at the amount of different lenses they make for your camera:


silhouettes of cowboy and herd of horses galloping in dust at sunset
Photo by yavuz pancareken on Pexels.com

(18 Lenses)

Wide-angle camera lenses capture the larger side of life with a broader angle of view. Photographers rely on these essential lenses, including the 14mm, 20mm, 24mm, 28mm, 12-24mm and 14-24mm.


photo of woman looking through camera
Photo by Artem Podrez on Pexels.com

(12 Lenses)

Explore the Sigma lineup of standard camera lenses with a field of view similar to the human eye. This popular category includes lenses such as the 50mm 1.4, 35mm 1.4, and 24-70mm 2.8. Standard by definition, exceptional by performance.


brown owl on tree branch
Photo by Erik Karits on Pexels.com

(19 Lenses)

Bring the world closer with a telephoto camera lens. A tool countless photographers rely on for added reach, this category includes such lenses as the 70-200mm 2.8, 100-400mm and 150-600mm.


action athletes base baseball
Photo by Pixabay on Pexels.com

(5 Lenses)

Wide-angle to telephoto zoom and everything in between, multi-purpose lenses are designed to be light, versatile and highly efficient. Sigma manufacturers several multi-puirpose lenses, including the 18-300mm, 18-250mm and 18-200mm.


close up photo of ladybug on leaf during daytime
Photo by Pixabay on Pexels.com

(6 Lenses)

Macro camera lenses allow a photographer to bring to life the small but lively world around them. Explore every detail with such lenses as the 70mm and 105mm.


people in brown traditional wear under blue sky
Photo by Denniz Futalan on Pexels.com

(2 Lenses)

Fisheye lenses bring a whole new perspective to your vision. From Diagonal to Circular, Sigma offers a variety of premium lenses for APS-C and Full Frame cameras.


person riding bike making trek on thin air
Photo by Pixabay on Pexels.com

(16 Lenses)

Sigma Optical Stabilization (OS) helps compensate for camera shake by reducing vibration in the DSLR camera system while taking a photograph. Some lenses with Sigma image stabilization include the 24-105mm F4,150-600mm and 70-200mm 2.8.


One thing that has always intrigued me with Sigma, is they make a line of lenses they call “Art Lenses”! Without even checking the details of this lens, I assumed that this series of lenses was made sharper, more colorful (yes, lenses can enhance the color with their special coatings), more detailed than their regular lenses. Their lenses in their standard lineup are nothing short of AMAZING, so how do the ART lenses compare, and are they worth that extra money?


So many names and words are thrown at you in the photography world- L lenses, Prime lenses, and… ART? ART as a term in photography equipment has become so big that most don’t even know the brand that produced the legendary ART: Sigma. Sigma’s ART lens line is a high-end, exquisite quality optic product that is very sought after by professional photographers. 

So what makes the ART lens have such a life of its own in the industry? Well, a mix between brilliant performance, excellent engineering, and an attractive price tag all lend a hand at the lens line’s brilliant reputation. 

Characteristics of the ART Lens Line

For starters, every lens company has a high-end line and more consumer-friendly line. The ART series is the high end, luxury line for camera and lens brand Sigma Corporation of America. Originally started in Japan, Sigma has gained exceptional notoriety for the quality of their ART line. 

Sigma’s ART line is divided into the following expected categories: Wide-angle lenses, large-aperture fixed lenses, telephoto lenses, standard lenses, macro lenses, ultra-wide angle lenses, and fish-eye lenses. Something for everyone. 

The ART line is engineered specifically for sharpness and optic performance. They are lenses created for images that give the sharpest details a photographer can possibly aim for. Even with the widest openings, Sigma ART lenses exhibit exceptional focal plane sharpness. This is because the focusing mechanism is quite unique to the brand itself, and cannot be found in other models. 

The ART line also tends to have wider apertures, from f/1.2 to f/2.8. The bokeh blades create a more natural and creamy shallow depth of field than most lenses, and are nicely designed to avoid chromatic aberration at wide apertures. For those unfamiliar, chromatic aberration is a common optical problem that causes a purple or green outline to appear around your subject.

ART lenses also characteristically produce more vibrant and poppy colors. Although a lot of color has to do with the camera body itself, the lens does play a role nowadays (especially in mirrorless systems). 

Finally, ART lenses are created in all notable mounts, such as Canon, Nikon, Sony, and even Leica. Sigma ART lenses are even able to have their mounts converted through the conversion service offered by the company. 

To get this kind of “extra” quality in a lens, you can plan on spending more than the standard lens in the same style. They are also a bit bigger lenses, but, to get that kind of quality, who cares?

A new blog site to check out:

What I thought was also really cool, is that Sigma has their own blogs right on their own website. You want to check out some pretty cool blogs, go to: SIGMA BLOG

Ready to try Sigma Lenses? They are one of several worth checking out. I am going to give you some more options to choose from, because this Wednesday, in 2 days, I will be reviewing


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Full-frame crushing image quality finally meets speed, portability and handling at an affordable price…

It’s hard to believe that Fujifilm’s GFX Series has only been with us since 2016. Now, its newest and most accessible model is here, the GFX50S II. This is a camera that blends the original model’s imaging excellence with the updated speed and refined handling of the GFX100S, and promises to bring medium format quality to a whole new section of photographers.

The GFX50S II features the same 51.4Mp resolution as its predecessor, and of course this comes from the G Format sensor that’s 1.7x larger than a 35mm format ‘full frame’ chip. This has all the benefits in resolving power, dynamic range and signal to noise ratio that you’d expect from a bigger area for the light to be gathered from, so anyone thinking of upgrading to the larger format has plenty to look forward to.


Sigma has launched two new prime lenses into its ‘I Series’ range, all lenses in which are designed from the ground up for full-frame mirrorless systems. The 24mm f/2 DG DN Contemporary and 90mm f/2.8 DG DN Contemporary will come in fits for Sony E-mount cameras as well as the L-mount shared by Sigma, Leica and Panasonic bodies.

The 24mm f/2 DG DN Contemporary is designed for photographers who need a wide-angle optic that’s sharp, fast, robust and light. Its combination of a large, 84.1° field-of-view and an f/2 maximum aperture means it should be of interest to all sorts of photographers, including those shooting documentary, street, travel and even night-skies, where Sigma says sagittal coma flare is well suppressed for clear pin-points of light.

The 90mm f/2.8 DG DN is a versatile mid-telephoto lens, with an angle of view of 27° and other features that should make it attractive to portrait, nature and still-life photographers. It uses a construction of 11 elements in 10 groups, this time featuring one glass-molded aspherical element and five SLD elements, and again using Sigma’s Super Multi-Layer Coating to resist flare and ghosting. A nine-bladed, rounded aperture diaphragm promises large, circular bokeh for smoother background blur.


The new Sigma fp L 61 mirrorless camera

In our continuing articles about the top 8 camera companies, I am going to slip in one more. We all know Sigma as a big lens company that makes lenses for about every camera. They are known for extremely high quality, very durable lenses, and everyone that has bought a lens of theirs, is very, very happy with their new lens.

But, did you know that Sigma makes a line of cameras, most mirrorless cameras. Sigma is a family owned business, and their idea of getting into the camera business is unique. Why make a camera when you do so well with lenses? Well, here is the story:

A mirrorless interchangeable-lens camera (MILC) or simply mirrorless camera, also called digital single lens mirrorless (DSLM), is a photo camera featuring a single, removable lens and a digital display. The camera does not have a reflex mirror or optical viewfinder like a digital single-lens reflex (DSLR) camera.[1] Many mirrorless cameras retain a mechanical shutter. Like a DSLR, a mirrorless camera accepts any of a series of interchangeable lenses compatible with its lens mount.

As before, the Sigma fp L is the smallest full-frame mirrorless camera you can buy. More impressively, it’s also the highest resolution full-frame model, period, in a tie with Sony’s A7R IV (which likely shares the same sensor).

Sigma fp L hands-on: Tiny size, big resolution, enormous compromises |  Engadget
Sigma fp L 61 megapixel mirrorless camera

In September 2018 Sigma became one of the founding members of the L-Mount Alliance; it announced that it will cease to develop SA-mount cameras and instead use Leica‘s L-Mount. A new full-frame mirrorless camera, Sigma FP, was launched in 2019 along with a range of L-Mount lenses and adapters.[5]

Sigma is the world’s largest independent lens manufacturer and is a family-owned business.

Sigma fp L hands-on: Tiny size, big resolution, enormous compromises |  Engadget
Sigma camera with it’s impressive electronic viewfinder allows the viewer to look at the image from any angle.

As a photographer who already loves the original SIGMA fp, when given the chance to work with the next generation, I knew I was in for something special. The SIGMA fp L is the second camera in this mirrorless series, and it brings a wealth of improvements clearly aimed at upping the photographic potential of this sleek camera. The original fp flew under the radar for photographers, due to a feature set that was primarily aimed at cine applications, but the fp L changes this entirely with a higher resolution sensor, an available EVF, and faster and more precise focusing performance. The fp L reads like someone closely reviewed a photographers’ wish list of missing features from the original model, added those, and still made sure to retain the beloved modular ethos, small size, and distinct SIGMA character.

Sigma, like all other camera manufactures, made a real “flagship” camera, well built, and to compete with the other brands out there. Click on the Amazon link to find out more about that camea.

New Sigma lenses for mirrorless cameras: the new world is the old world by  Jose Antunes - ProVideo Coalition
Sigma lenses: superior quality, made for all brands of cameras.

Sigma has a few unique lenses only available from Sigma. I personally would love to own one these camera lenses:

SIGMA 35mm F1.4 DG DN Art Lens: The Essential Prime for Mirrorless

When SIGMA first introduced the Art line of prime lenses in 2013, there was no question about which focal length would arrive first. While 50’s are classic and 85’s are perfect for portraits, there’s only one lens that could push the entire company to a new level — the 35mm Art would be that lens.

Of course, technology continues to move forward, and mirrorless camera bodies have now begun to take over the camera industry. Thus, a new 35mm F1.4 DG DN | Art — designed exclusively for mirrorless — has been developed to bring the incredible image quality and versatility that DSLR shooters have enjoyed for years to E-mount and L-mount systems.

The SIGMA 35mm F1.4 DG DN | Art — the essential prime lens for full-frame mirrorless cameras.
Heading to the beach in Sea Isle City, New Jersey
SIGMA 35mm F1.4 DG DN | Art on Sony A7R III (Jack Fusco)

So, Sigma is a camera and lens manufacture that needs to be recognized. An incredible company that makes amazing quality products. Watch for them to grow even more in the future.

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